Three Poems by Rozalija Grace

Image by Alberto Vivas

Glaciers

for Elizabeth Rose Shaffer


My soul is heavy with glaciers.


Every land that birthed me

once lay below

the ice and rose again

at geologic pace.


It leaves me speechless, tongue

depressed.

‍ ‍

I think, sometimes,

of all the words I’ve forgotten

from all the tongues that have been

in my mouth. They will not rise

again.


It is quiet where ice-

stripped dirt springs

back toward lichen spores

and sun—wordless there

where dandelions

settle over ancient fires

that roots will never reach.


Ten thousand generations

passed from the earth with nothing

to mark them, no trace

on the wind.


“Someone will remember

us,” Sappho wrote,

“even in another time.”


A fragment of a work that is lost.


You will read this, shterndl,

and maybe no one again.


Stars will blow out

in every sky I was born

beneath.


In another time,

no one will remember our words,

this scoured land, our English

speech.

‍ ‍

Our names will seep

away, farther than the roots

of dandelions reach—

farther than the taps of figs.


In that time, beneath

a low branch, a woman

with a hand like mine will clasp

a woman with a hip like yours . . .

share a bite from a fruit

you and I have never

named . . . steal a dribble

from a laughing chin.


She

will not think of us, but—

when they kiss—she’ll remember

the one tongue I can’t

forget.


For My Fiancée, the Great American Novelist, after the Murder of Renee Good

for Elizabeth Rose Shaffer,

after Olavo Bilac’s “Língua portuguesa”


Last flower of America, wild and beautiful,

all the flowers have gone to petal your bed

like a grave. You know that you are riding somewhere;

the last time we fucked, you wore cowgirl boots.


I scowl over newspapers in French, tell you

how much I miss Montréal. You ask

if there are diners there. You won’t go

anywhere that doesn’t have a diner.


You love road trips, comic books,

apple pie. Sometimes I think I hate

this country only because I was never young.


When you are gone, I will miss America—the promise

of great things, your voice in the living

room . . . “Give me coffee! I’m going to write!”



Hagiography

for Elizabeth Rose Shaffer


The morning after

the storm, the horizon

is gleaming steel

whetstoned on retreating

clouds, and I

can see the future—

how dawn will break

when they’ve cleaned

my final razor.


On that morning,

the sky will be full

of birds, and I

one of them—a form

more like myself

than the one they wished

to give me—a black

absence, an anvil

held over from a cloud.


Raven, rook,

or crow could suit me

—creatures that remember

their own—but,

if God remembers me,

let her trace my breast

and the tips of my wings

in white. Let her

call the nuns


in their habits to strew

grain for birds

at the end of winter

and hold me on their fingers,

as once I perched

on yours. Let them

marvel and admire—

tell stories, then,

as women do,


of the creatures of the forest

and the doings of saints

—how the magpie searches

all that shines

for its missing ring

because once you called it

your angel, gave it

its wings and your name.



Rozalija Grace is a Russian-Canadian writer with roots in Alaska and Quebec. Her poetry, short stories, and essays have been nominated for the Pushcart Prize and featured in Room, Rust & Moth, So to Speak, and other periodicals. Her translations of early Soviet literature have been nominated for Best Literary Translations. She currently serves as a poetry editor for Psaltery & Lyre and lives in Minneapolis with her novelist fiancée, arguing over which of them is the better writer. (It’s her fiancée.) You can read more at her website and on her Bluesky @rozalijagrace.com.


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My Grandfather Shows Me His Photo Album, by Julie Ebin

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A Whole Unguarded Afternoon, by Ian Li